DELUTS EMULSION LUTS — APPLE
FOR APPLE LOG AND APPLE LOG 2 / PLUS .LOOK FILES FOR DELUTS EMULSION OFX
265 film looks in two sets, baked from DELUTS EMULSION into LUTs made for Apple Log and Apple Log 2.
Every LUT puts an 18% grey card on 42.3%, so every look opens at the same brightness. Change the look and the exposure stays.
THE LOOKS
• FILM AND PRINT STOCKS LOOKS (97) — Every negative stock through every print. Twenty-four stocks on Kodak 2383, Kodak 2393, Fujifilm 3521 and Technicolor dye transfer, plus Technicolor 3-Strip. Nothing else is touched, so this is the honest stock.
• LOOKS - SET 1 (168) — Graded looks, built across eighteen of the stocks and all three print stocks, including 13 Technicolor dye-transfer looks and 27 Technicolor 3-Strip looks.
THE STOCKS
• KODAK — Vision3 50D 5203, 250D 5207, 200T 5213, 500T 5219. Ektar 100, Gold 200, Portra 160, Portra 400, Portra 800, UltraMax 400.
• FUJIFILM — Eterna 250D, 250T, 400T, 500T, Eterna Vivid 160T, F-64D, Reala 500D. Pro 400H, Superia X-TRA 400.
• AGFA — Ultra 100, Vista 100, Vista 200, Vista 400, Vista 800.
IN THIS DOWNLOAD
Every look, in both sets, comes in all of these:
• DISPLAY REFERRED — 1 STAGE — One LUT from Apple Log (or Apple Log 2) straight to Rec.709 gamma 2.4. Put it on the clip and you are done. For editing apps, monitors and anything that loads a .cube LUT.
• SCENE REFERRED — 3 STAGE — INPUT, LOOK and DISPLAY as three LUTs through DaVinci Wide Gamut / Intermediate. Grade before the look and deliver to Rec.709, sRGB, P3-D65, Rec.2020 or HDR (Rec.2100 PQ and HLG, 1000 nits). Step-by-step setups for DaVinci Resolve and Adobe Premiere Pro are included.
• NON-LOG REC.709 — 1 STAGE — The same looks for footage that is not shot in log.
• LOOK BOOKS AND CONTACT SHEETS — PDF look books and contact sheets showing every look, so you can choose a look before you open your grading app.
• .LOOK FILES FOR DELUTS EMULSION OFX — All 265 looks as EMULSION presets. In the plugin you also get what a LUT cannot hold: grain, halation and the full film controls. A look sets the controls on screen, so it is a starting point you can take apart. EMULSION is sold separately.
GOOD TO KNOW
• Every LUT comes in two sizes: 65-point for your computer and 33-point for monitors, cameras and apps that only take 33.
• The LUTs work in DaVinci Resolve (free or Studio), Premiere Pro, Final Cut Pro and any app that loads .cube LUTs.
• A LUT carries the colour and tone of the film. Grain and halation are in the EMULSION plugin.
• How-to notes are in the download: HOW TO USE THE LUTS.txt, and HOW TO INSTALL THE LOOKS.txt in the looks folder.
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