DELUTS EMULSION LUTS — DJI
FOR DJI D-LOG AND D-LOG M / PLUS .LOOK FILES FOR DELUTS EMULSION OFX
265 film looks in two sets, baked from DELUTS EMULSION into LUTs made for DJI D-Log and D-Log M.
Every LUT puts an 18% grey card on 42.3%, so every look opens at the same brightness. Change the look and the exposure stays.
THE LOOKS
• FILM AND PRINT STOCKS LOOKS (97) — Every negative stock through every print. Twenty-four stocks on Kodak 2383, Kodak 2393, Fujifilm 3521 and Technicolor dye transfer, plus Technicolor 3-Strip. Nothing else is touched, so this is the honest stock.
• LOOKS - SET 1 (168) — Graded looks, built across eighteen of the stocks and all three print stocks, including 13 Technicolor dye-transfer looks and 27 Technicolor 3-Strip looks.
THE STOCKS
• KODAK — Vision3 50D 5203, 250D 5207, 200T 5213, 500T 5219. Ektar 100, Gold 200, Portra 160, Portra 400, Portra 800, UltraMax 400.
• FUJIFILM — Eterna 250D, 250T, 400T, 500T, Eterna Vivid 160T, F-64D, Reala 500D. Pro 400H, Superia X-TRA 400.
• AGFA — Ultra 100, Vista 100, Vista 200, Vista 400, Vista 800.
IN THIS DOWNLOAD
Every look, in both sets, comes in all of these:
• DISPLAY REFERRED — 1 STAGE — One LUT from D-Log or D-Log M straight to Rec.709 gamma 2.4. Put it on the clip and you are done. For editing apps, monitors and anything that loads a .cube LUT.
• SCENE REFERRED — 3 STAGE — INPUT, LOOK and DISPLAY as three LUTs through DaVinci Wide Gamut / Intermediate. Grade before the look and deliver to Rec.709, sRGB, P3-D65, Rec.2020 or HDR (Rec.2100 PQ and HLG, 1000 nits). Step-by-step setups for DaVinci Resolve and Adobe Premiere Pro are included.
• NON-LOG REC.709 — 1 STAGE — The same looks for footage that is not shot in log.
• LOOK BOOKS AND CONTACT SHEETS — PDF look books and contact sheets showing every look, so you can choose a look before you open your grading app.
• .LOOK FILES FOR DELUTS EMULSION OFX — All 265 looks as EMULSION presets. In the plugin you also get what a LUT cannot hold: grain, halation and the full film controls. A look sets the controls on screen, so it is a starting point you can take apart. EMULSION is sold separately.
GOOD TO KNOW
• Every LUT comes in two sizes: 65-point for your computer and 33-point for monitors, cameras and apps that only take 33.
• The LUTs work in DaVinci Resolve (free or Studio), Premiere Pro, Final Cut Pro and any app that loads .cube LUTs.
• A LUT carries the colour and tone of the film. Grain and halation are in the EMULSION plugin.
• How-to notes are in the download: HOW TO USE THE LUTS.txt, and HOW TO INSTALL THE LOOKS.txt in the looks folder.
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