CANON PICTURE PROFILE PF3 / CANON LUTS

Set contains:

CLOG3 CCG LOG.pf3

CLOG3 CCG REC.pf3

ARRI LOGC.pf3

ARRI REC709.pf3

How to Install

1/ Set your camera to ‘M’ Plug your canon into your Mac/PC via usb and turn on. 

(Make sure your camera is not in live view and in stills mode only, not movie)

2/ Launch EOS Utility and select the gear wheel icon ‘Camera Setting’.

3/ From the list of options click ‘Register Picture Style File’. If it’s greyed out please check you are in stills mode not movie.

4/ Then select one of the 3 user presets. E.g. ‘User Def. 1’. Clicking on the folder arrow icon to the right navigate to one of my picture styles.

E.g. ‘CLOG3 CCG LOG.pf3’ click ‘Open’ and then load another picture profile or click ‘OK’ to exit.

Quit the app, turn off the camera, remove usb and then use camera with selected profile.

For more information.

https://www.canon.co.uk/pro/infobank/picture-style/

DELUTS EMULSION LUTS — CANON
FOR CANON LOG 2 AND CANON LOG 3 / PLUS .LOOK FILES FOR DELUTS EMULSION OFX

265 film looks in two sets, baked from DELUTS EMULSION into LUTs made for Canon Log 2 and Canon Log 3 (Cinema Gamut).

Every LUT puts an 18% grey card on 42.3%, so every look opens at the same brightness. Change the look and the exposure stays.

THE LOOKS

• FILM AND PRINT STOCKS LOOKS (97) — Every negative stock through every print. Twenty-four stocks on Kodak 2383, Kodak 2393, Fujifilm 3521 and Technicolor dye transfer, plus Technicolor 3-Strip. Nothing else is touched, so this is the honest stock.

• LOOKS - SET 1 (168) — Graded looks, built across eighteen of the stocks and all three print stocks, including 13 Technicolor dye-transfer looks and 27 Technicolor 3-Strip looks.

THE STOCKS

• KODAK — Vision3 50D 5203, 250D 5207, 200T 5213, 500T 5219. Ektar 100, Gold 200, Portra 160, Portra 400, Portra 800, UltraMax 400.

• FUJIFILM — Eterna 250D, 250T, 400T, 500T, Eterna Vivid 160T, F-64D, Reala 500D. Pro 400H, Superia X-TRA 400.

• AGFA — Ultra 100, Vista 100, Vista 200, Vista 400, Vista 800.

IN THIS DOWNLOAD
Every look, in both sets, comes in all of these:

• DISPLAY REFERRED — 1 STAGE — One LUT from Canon Log 2 or Canon Log 3 straight to Rec.709 gamma 2.4. Put it on the clip and you are done. For editing apps, monitors and anything that loads a .cube LUT.

• SCENE REFERRED — 3 STAGE — INPUT, LOOK and DISPLAY as three LUTs through DaVinci Wide Gamut / Intermediate. Grade before the look and deliver to Rec.709, sRGB, P3-D65, Rec.2020 or HDR (Rec.2100 PQ and HLG, 1000 nits). Step-by-step setups for DaVinci Resolve and Adobe Premiere Pro are included.

• NON-LOG REC.709 — 1 STAGE — The same looks for footage that is not shot in log.

• LOOK BOOKS AND CONTACT SHEETS — PDF look books and contact sheets showing every look, so you can choose a look before you open your grading app.

GOOD TO KNOW

• Every LUT comes in two sizes: 65-point for your computer and 33-point for monitors, cameras and apps that only take 33.

• The LUTs work in DaVinci Resolve (free or Studio), Premiere Pro, Final Cut Pro and any app that loads .cube LUTs.

• A LUT carries the colour and tone of the film. Grain and halation are in the EMULSION plugin.

• How-to notes are in the download: HOW TO USE THE LUTS.txt, and HOW TO INSTALL THE LOOKS.txt in the looks folder.

deluts.com