BUNDLE - PACK

The Everything Bundle Pack, Contains Everthing On The DELUTS Store / DELUTS FILMTONE 3
For a limited time only at this introductory price.

 

Compatible with all major cameras (SONY, RED, PANASONIC, DJI, ARRI, BLACKMAGIC, FUJIFILM, NIKON, CANON and more), this pack is a treasure trove for filmmakers and photographers alike!

—  Expansive LUT Collection: Diverse LUTs fine-tuned for various camera logs, ensuring color precision and consistency.

—  DaVinci Resolve DCTLs: Introducing DCTLs for enhanced grading finesse, meticulously engineered for DaVinci Resolve.

 

—  APPLE FCP: Effects control panels. Detailed controls for FILMTONE, including film grain and Super 8.

—  Adobe Essentials: Unleash the full potential of your imagery with our Adobe Lightroom/Photoshop Presets.

—  Authentic Film Textures: Infuse your visuals with a timeless aesthetic using real film grain, scratches, and film masks.

 

 

COMPATIBILITY:

 

For PC GPU compatibility, please download the free zip file 'DCTL_TESTER.zip' before purchasing. Install the expanded folder 'DCTL_TESTER' into the LUT directory for DaVinci Resolve and restart the application.

 

You will notice the 4 files below in the DCTL list.

DELUTS FILMTONE DCTL TEST A

DELUTS FILMTONE DCTL TEST B

DELUTS FILMTONE DCTL TEST C

DELUTS FILMTONE DCTL TEST D

 

When you add the DCTL 'DELUTS FILMTONE DCTL TEST A'  to your node tree you should see a Blue wash and a white X across the image. If you do, then you can purchase this set. If you do not see Blue then please check Test B, C, D and contact me indicating what test worked and what colour. If nothings loads please use the LUT - PACK.

 

Test A - BLUE with WHITE X

Test B - MAGENTA with WHITE X

Test C - ORANGE with WHITE X

Test D - GREEN with WHITE X

 

 

INSTALLATION:

DaVinci Resolve:

Copy the necessary folders to the DaVinci Resolve LUT folder. Ensure DaVinci Resolve is closed before installing.

—  On Mac OS X:
Library/Application Support/Blackmagic Design/DaVinci Resolve/LUT/ 
—  On Windows:
C:\ProgramData\Blackmagic Design\DaVinci Resolve\Support\LUT 
—  On Linux:
/home/resolve/LUT

When using DCTL files, maintain the folder structure/paths as DCTL references some files within the ‘DELUTS DCTL’ folder. Altering files or folders within the ‘DELUTS DCTL’ folder will cause errors.

Note: DCTL files are compatible only with DaVinci Resolve Studio.

 

 

Adobe Premiere
Please make sure Adobe Premiere is not running before installing LUTs. 

—  On Mac OS X:

/Library/Application Support/Adobe/Common/LUTs/Creative 
/Library/Application Support/Adobe/Common/LUTs/Technical

—  On Windows:

C:\Program Files\Adobe\Common\LUTs\Creative 
C:\Program Files\Adobe\Common\LUTs\Technical

 

 

Apple FCPX:
Please make sure Apple FCPX is not running before installing LUTs directly into LUT directories.

DELUTS LUTS like DELUTS FILMTONE 3 and required Camera lut packs like 'SONY DELUTS FILMTONE 3 LUT PACK' etc are placed in:
your user<home>/Library/Application Support/ProApps/Custom LUTs folder.

CAMERA TRANSFORMS are placed in:
your user<home>/Library/Application Support/ProApps/Camera LUTs folder.

FCP Effects 'DELUTS FILMTONE FX' are placed in:
your user<home>/Movies/Motion Templates/Effects/

 

FCP 'Adjustment Layer' is placed in:

your user<home>/Movies/Motion Templates/Titles/

 

There are 23 ZIP files.

UPDATE 17 NOV 2023 (FILE NAMES SHORTENED)

1/ DELUTS DCTL

 

2/ DELUTS LUTS

-CAMERA TRANSFORMS

-UPDATED 7/11/23 Added CLOG3 Gamut Variant & Gamut Adjust for CLOG
-DELUTS CLASSSICS
-DELUTS ELEMENTS
-DELUTS FILMTONE 1 AND 2
-DELUTS FILMTONE 3

 

3/ DELUTS FILMTONE 3 LR PS PRESETS

 

4/ REAL FILM GRAIN

 

5/ FILM SPROCKETS EDGES

 

6/ FILM FLARE

 

7/ GATE MASKS

 

8/ OVERLUT DELUTS FILMTONE 3 LUT PACK

9/ SONY DELUTS FILMTONE 3 LUT PACK

10/ CANON DELUTS FILMTONE 3 LUT PACK

- UPDATED 7/11/23 Added CLOG3 Gamut Variant

11/ ARRI DELUTS FILMTONE 3 LUT PACK 

12/ RED DELUTS FILMTONE 3 LUT PACK 

13/ BLACKMAGIC DELUTS FILMTONE 3 LUT PACK 

14/ PANASONIC DELUTS FILMTONE 3 LUT PACK 

15/ FUJIFILM DELUTS FILMTONE 3 LUT PACK

16/ NIKON DELUTS FILMTONE 3 LUT PACK 

17/ DJI DELUTS FILMTONE 3 LUT PACK 

18/ APPLE DELUTS FILMTONE 3 LUT PACK

19/ ACESCCT DELUTS FILMTONE 3 LUT PACK

 

20/ CANON PF3 CAMERA PICTURE PROFILE (PF3)

- ADDED 6/11/23

 

21/ DELUTS SETS FROM 2015-2018

- ADDED 7/11/23

 

23/ DELUTS FILMTONE FCPX CONTROL

- ADDED 17/11/23 - UPDATED 18/11/23

 

—  DELUTS LUTs Collection:
Utilize LUTs from the 'DELUTS LUTs' folder alongside one of the 'CAMERA TRANSFORMS' to ensure compatibility with your camera profile and workflow. All LUTs in this collection are natively S-LOG3 S-GAMUT3.Cine, preserving a wide color gamut.

—  OVERLUT DELUTS FILMTONE 3 LUT PACK:
Discover the overgrade/finisher LUTs in the OVERLUT DELUTS FILMTONE 3 LUT PACK.zip, ideal for refining grades from top LUT manufacturers, enhancing stock footage, or adding a fresh touch to your grading.

 

 

 

Davinci Resolve:-

DAVINCI RESOLVE, DELUTS LUTS with Camera Transform

 

 

Adobe Premiere:-

Adobe Premiere Lumetri Color Panel.

 

Adobe Premiere Adjustment Layer use for main Lumetri Color Panel and LUT loading.

I prefer resetting all my clips to default, removing any auto color or camera looks. Next, I apply an Adjustment Layer to all rushes as V2, adding both the Input LUT and Creative LUT. I then fine-tune the exposure, white balance, and tint on each clip using the basic Lumetri settings. This practice optimizes system memory, as it avoids loading Input and Creative LUTs on every individual clip.

 

Loading the Camera Transform into the Input LUT.

 

Navigate to the /DELUTS LUTS/CAMERA TRANSFORMS/ and select the LUT that matches your camera.

 

Load the Creative LUT by navigating to DELUTS LUTS/ and then one of the LUT packs.

 

LUT PACKS

DELUTS FILMTONE 3

DELUTS FILMTONE 1 AND 2

DELUTS CLASSSICS

DELUTS ELEMENTS

 

If using PRORES RAW select S-Gamut3.Cine/S-Log3 option.

 

Apple FCPX:-

Install locations

Adding Custom LUT to the clip

Adding a Custom LUT

 

You won't need a camera transform (Camera LUT) if you are using one of the sets marked for that camera and profile. Use the Camera LUT when using other DELUT sets. Apply the Camera LUT in the Inspector Panel.

Inspector Panel. 

 

FCPX Panels (Note: File Names Now Shortened)

 

;

 

DELUTS DCTL, For DaVinci Resolve Studio

 

 

DCTL List dropdown meun (Note: File Names Now Shortened)

 

Utilize DELUTS DCTLs following a camera transform. All DCTL files natively support S-LOG3 S-GAMUT3.Cine for a broad color gamut. Start by adding a Node for the camera transform, followed by a serial node for the DCTL. Add DCTL to nodes via the FX Effects/Resolve FX Color menu in DaVinci Resolve Studio. After placing the 'DELUTS_DCTL' folder within the LUTS folder, the DCTL List dropdown menu will display the available DCTLs.

Don't forget to re-start DaVinci Reslove Studio after adding DCTL files.

 

DCTL found in the FX Effects/Resolve FX Color menu
 
DELUTS Camera Transforms

DELUTS FILMTONE 3 LR PS PRESETS

/DELUTS FILMTONE 3 PRESETS

/DELUTS FILMTONE 3 PROFILES

 

 

To install presets for Adobe Photoshop, follow these steps:

1. Open a RAW image and navigate to the Presets tab in the ACR.
2. Click on the three dots in the panel.
3. Select 'Import Profiles & Presets...', locate and highlight the 'DELUTS_FILMTONE_3_LR_PS_PRESETS.zip' file.
4. Click 'Import'. ACR will automatically install the Presets and Profiles for your use.

 

Step 1.

 

Step 2 click on the three dots.

 

Step 3, click 'Import Profiles & Presets...'

 

Step 4, highlight the ZIP file and click Import.

 

Import complete. 

 

To utilize with Adobe Lightroom or Adobe Lightroom Classic, the installation steps mirror those for Photoshop ACR:

1. Navigate to either Presets or Profiles and click the three dots.
2. Select 'Import Presets...', then locate and highlight the 'DELUTS_FILMTONE_3_LR_PS_PRESETS.zip' file.
3. Click 'Import'. The presets will now appear in the 'Yours' presets section.

ADOBE LIGHTROOM, presets panel.

 

If you've already installed for Photoshop ACR, the presets will automatically be available in Lightroom Classic. If not, simply click the '+' symbol on the Presets tab, and select 'Import Presets...'.
 
ADOBE LIGHTROOM CLASSIC

 

When utilizing Lightroom on your mobile with syncing enabled, your presets will seamlessly be available for use there as well.

 

 

 

REAL FILM GRAIN

/4096 x 3112 FULL REAL FILM GRAIN 35mm DUST AND SCRATCHES ONLY A.mov

/4096 x 3112 FULL REAL FILM GRAIN 35mm DUST AND SCRATCHES ONLY B.mov

/4096 x 3112 FULL REAL FILM GRAIN 35mm SCRATCHED A.mov

/4096 x 3112 FULL REAL FILM GRAIN 35mm SCRATCHED B.mov

/4096 x 3112 FULL REAL FILM GRAIN 35mm.mov

 

Real grain scans from Kodak Vision 3 film.

Employ as an overlay to enhance your footage; the 30-second files are loopable endlessly.
Tip: Create a lengthy compound clip of the loop for a more organized timeline. Try softight for composite mode. 

 

Frame from '4096 x 3112 FULL REAL FILM GRAIN 35mm.jpg'

 

Frame from '4096 x 3112 FULL REAL FILM GRAIN 35mm SCRATCHED B.jpg'

 

Frame from '4096 x 3112 FULL REAL FILM GRAIN 35mm SCRATCHED A.jpg'

 

Frame from '4096 x 3112 FULL REAL FILM GRAIN 35mm DUST AND SCRATCHES ONLY B.jpg'

 

 

Frame from '4096 x 3112 FULL REAL FILM GRAIN 35mm DUST AND SCRATCHES ONLY A.jpg'

 

 

 

FILM SPROCKETS EDGE

/SUPER 8 SPROCKETS EDGE A01 LOG.mov

/SUPER 8 SPROCKETS EDGE A01.mov

 

-Use as an overlay to your footage, the 30-second files are loopable endlessly.

 

Frame from 'SUPER 8 SPROCKETS EDGE A01.mov'

 

 

 

FILM FLARE

/SUPER 8 FLARE A02 LOG.mov

/SUPER 8 FLARE A01.mov

 

-Use as an overlay to your footage, the 30-second files are loopable endlessly. 

 

Frame from 'SUPER 8 FLARE A01.mov'

 

 

 

GATE MASKS

/16mm frame mask 003.png

/16mm frame mask 004.png

/16mm frame mask 005.png

/35mm Clean Full 4 Mask Soft.png

/35mm Clean Full Mask Soft.png

/35mm Full Mask.png

 

-Drag to extend the clip to cover your timeline edit.

 

Gate Masks. All files are PNG with no backgrounds.

 

 

FILM STOCKS: (FILMTONE 3)
AG APX 100 LIMA 01.cube
AG APX 100 LIMA 02.cube
AG APX 100 LIMA 03.cube
CS50 PACIFIC 01.cube
CS50 PACIFIC 02.cube
CS50 PACIFIC 03.cube
CS50 PACIFIC 04.cube
CS400 CANNES 01.cube
CS400 CORSICA 01.cube
CS400 CORSICA 02.cube
CS400 CORSICA 03.cube
CS400 CORSICA 04.cube
CS400 CORSICA 05.cube
CS400 MAYFAIR 01.cube
CS400 MAYFAIR 02.cube
CS400 MAYFAIR 03.cube
CS400 MAYFAIR 06.cube
FF ASTIA SOFT KYOTO 01.cube
FF ASTIA SOFT KYOTO 02.cube
FF CLASSIC NEG OKINAWA 02.cube
FF CLASSIC NEG OKINAWA 03.cube
FF CLASSIC NEG OKINAWA 05.cube
FF CLASSIC NEG OKINAWA 06.cube
FF NEOPAN ARCOS MADRID 01.cube
FF NEOPAN ARCOS MADRID 02.cube
FF NOSTALGIC NARA 01.cube
FF NOSTALGIC NARA 02.cube
IL DELTA 100 HAVANA 01.cube
IL DELTA 100 HAVANA 02.cube
IL DELTA 3200 QUITO 01.cube
IL DELTA XIAN 01.cube
IL DELTA XIAN 02.cube
IL HARD DAKAR 01.cube
IL HP5 ANDES 01.cube
IL HP5 ANDES 02.cube
IL HP5 ANDES 03.cube
IL HP5 ANDES 04.cube
IL HP5 PLUS ARCTIC 01.cube
IL MEDIUM OSLO 01.cube
IL SFX 200 CAIRO 01.cube
IL SOFT MACHU 01.cube
IL XP2 KYOTO 01.cube
IL XP2 KYOTO 02.cube
KD 2383 PALERMO 01.cube
KD 2383 PALERMO 02.cube
KD 2383 PALERMO 03.cube
KD 2383 PALERMO 04.cube
KD 5207 PAVIA 01.cube
KD AURORA 01.cube
KD AURORA 02.cube
KD AURORA 03.cube
KD AURORA 04.cube
KD AURORA 05.cube
KD AVALON 01.cube
KD AVALON 02.cube
KD AVALON 03.cube
KD AVALON 04.cube
KD BELLEVILLE 01.cube
KD BW400CN CASPIAN 01.cube
KD BW400CN CROTONE 01.cube
KD CROSS OKINAWA 01.cube
KD CROSS OKINAWA 02.cube
KD CROSS OKINAWA 03.cube
KD E100 EKTACHROME OSAKA 01.cube
KD E100 EKTACHROME OSAKA 02.cube
KD EKTACHROME COMO 01.cube
KD EKTACHROME COMO 02.cube
KD FERRARA 01.cube
KD FERRARA 02.cube
KD GOLD AREZZO 01.cube
KD GOLD AREZZO 02.cube
KD HEKLA 01.cube
KD HUSAVIK 01.cube
KD JUNIPER 01.cube
KD JUNIPER 02.cube
KD JUNIPER 03.cube
KD JUNIPER 04.cube
KD JUNIPER 05.cube
KD MONACO 01.cube
KD MONACO 02.cube
KD MONACO 03.cube
KD MONACO 04.cube
KD MONACO 05.cube
KD MONACO 06.cube
KD MONACO 07.cube
KD MONACO 08.cube
KD NAPOLI 01.cube
KD ODEON 01.cube
KD PISA 01.cube
KD PISA 02.cube
KD PISA 03.cube
KD PISA 04.cube
KD PORTRA TOSCANA 01.cube
KD PORTRA VERONA 01.cube
KD PORTRA VERONA 02.cube
KD PORTRA VERONA 03.cube
KD SALERNO 01.cube
KD SALERNO 02.cube
KD SALERNO 03.cube
KD SALERNO 04.cube
KD SALERNO 05.cube
KD SHINJUKU 01.cube
KD SIENA 01.cube
KD SIENA 02.cube
KD SIENA 03.cube
KD TMAX 400 VIENNA 01.cube
KD TMAX 400 VIENNA 02.cube
KD TMAX P3200 BERLIN 01.cube
KD VERMONT 01.cube
KD VERMONT 02.cube
KDVIS3 BOLOGNA 01.cube
KDVIS3 ECN2 LOMBARD 01.cube
KDVIS3 ECN2 LOMBARD 02.cube
KDVIS3 LOUVRES 01.cube
KDVIS3 LOUVRES 02.cube
KDVIS3 LOUVRES 03.cube
KDVIS3 MODENA 01.cube
RED ELDHRAUN 01.cube
RED ELDHRAUN 02.cube
RL SUPERPAN OSAKA 01.cube


TRANSFORMS:ARRI LOGC4.cube
ACESCCT.cube
APPLE LOG.cube
ARRI LOGC3.cube
BLACKMAGIC FILM 46G3.cube
BLACKMAGIC FILM V4.cube
BLACKMAGIC FILM.cube
CANON LOG.cube
CANON LOG2 CG.cube
CANON LOG3 CG ALT.cube
CANON LOG3 CG.cube
DJI DLOG DGAMUT.cube
DJI HLG DGAMUT.cube
FUJIFILM FLOG A.cube
FUJIFILM FLOG B.cube
GAMUT ADJUST CLOG.cube
NIKON NLOG A.cube
NIKON NLOG B.cube
OVERLUT.cube
PANASONIC HLG VGAMUT A.cube
PANASONIC HLG VGAMUT B.cube
PANASONIC VLOG VGAMUT.cube
REC709.cube
REC2020.cube
RED RWG LOG3G10.cube

SONY HLG 01.cube
SONY SLOG SG.cube
SONY SLOG2 SG.cube
SONY SLOG2 SG3C.cube
SONY SLOG3 SG3.cube
SONY SLOG3 SG3C.cube
SONYV SLOG3 SG3C.cube
SRGB.cube

CANON DSLR CLOG3 CAMERA PROFILE
Canon PF3 In Camera Picture Profile, for those who still need it.

Canon_PF3_Camera_Picture_Profile.zip

 

 

DELUTS SETS FROM 2015-2018

DELUTS SET 1, SET 2, SET 3 and SET 4.

Handy for archived projects.

 

SET 1,2,3

Norwich.cube Cuckfield.cube Lancaster.cube Leeds.cube Leicester.cube Lichfield.cube Lincoln.cube Liverpool.cube Manchester.cube Newcastle.cube Nottingham.cube Oxford.cube Peterborough.cube Plymouth.cube Portsmouth.cube Preston.cube Ripon.cube Salford.cube Salisbury.cube Sheffield.cube Southampton.cube Sunderland.cube Wakefield.cube Winchester.cube Wolverhampton.cube Worcester.cube York.cube

 

SET 4
acton.cube barking.cube barnes.cube barnet.cube battersea.cube beckenham.cube beddington.cube bermondsey.cube bexley.cube brent.cube brentford.cube bromley.cube camberwell.cube camden.cube carshalton.cube cheam.cube chelsea.cube chigwell.cube chingford.cube chislehurst.cube coombe.cube coulsdon.cube crayford.cube croydon.cube deptford.cube ealing.cube edmonton.cube enfield.cube erith.cube feltham.cube finchley.cube finsbury.cube fulham.cube goldersgreen.cube greenwich.cube hackney.cube hammersmith.cube hampstead.cube haringey.cube harrow.cube harry_bw.cube harry.cube havering.cube heston.cube hillingdon.cube holborn.cube hornchurch.cube hornsey.cube hounslow.cube ilford.cube islington.cube kensington.cube lambeth.cube lewisham.cube malden.cube merton.cube mitcham.cube nealsyard.cube newham.cube orpington.cube paddington.cube poplar.cube purley.cube redbridge.cube romford.cube ruislip.cube savoystreet.cube shoreditch.cube sidcup.cube somersethouse.cube southall.cube southgate.cube southwark.cube stepney.cube surbiton.cube surreystreet.cube sutton.cube temple.cube tottenham.cube uxbridge.cube waltham.cube walthamstow.cube wandsworth.cube wanstead.cube wembley.cube willesden.cube wimbledon.cube winchmorehill.cube woodford.cube woodgreen.cube woolwich.cube yiewsley.cube

 

 

 

Trilinear vs. Tetrahedral

I would always switch colour setting to Tetrahedral Interpolation.

 

Adobe Premiere:-

File/Project Settings/ Colour

 

DaVinci Resolve:-
Project Settings/ Color Managment/ Lookup Tables

 

Apple FCPX:-

Apple does not mention interpolation algorithms but at they optimize for performance and quality on Apple hardware and side by side match Tetrahedral based interpolation.

 

In color grading and video processing, the terms "Trilinear" and "Tetrahedral" refer to different types of interpolation methods used within a 3D lookup table (LUT). A 3D LUT is a three-dimensional grid that contains data for color correction and is used to map one color space to another. It operates on the principle that any color can be located within a three-dimensional space, defined by its red, green, and blue components.

Trilinear Interpolation: This method uses linear interpolation along the three axes within the 3D LUT. When moving from one point to another in the 3D space, trilinear interpolation considers the eight closest points on the LUT grid. It then linearly interpolates between these points to determine the output value. Trilinear interpolation is generally faster because it is less computationally intensive, but can sometimes produce gradients that are not as smooth, potentially leading to banding.

Tetrahedral Interpolation: This method divides the cube within the 3D LUT into six tetrahedra (a type of pyramid with a triangular base). When calculating a color transformation, tetrahedral interpolation only considers the four points of the tetrahedron within which the color falls. This method often results in smoother gradients and fewer interpolation artifacts, like banding, compared to trilinear interpolation. However, it is more computationally intensive and may require GPU acceleration to perform efficiently.

Banding can occur when the interpolation method is not able to produce a smooth gradient between colors. This can happen with trilinear interpolation because it can result in less precise color mapping compared to tetrahedral interpolation, especially when working with subtle gradients and a limited color depth. Tetrahedral interpolation, by using a more complex but more accurate method, is typically better at creating smooth transitions without visible banding.

 

 

 

 

Requests:

If you need need a Gamma/Gamut variant that is not listed please contact me.

 

 

 

 

Brand names of manufacturers are mentioned solely for reference purposes. We hold no affiliation, association, or any official connection with Eastman Kodak, CINESTILL, FUJIFILM Corporation, or Ilford Photo Harman Technology Ltd. All logos and images are registered trademarks of their respective owners.

 

©DELUTS 2023