LUT PROMOTION - PACK

DELUTS FILMTONE 3:

LUT PROMOTION - PACK

Compatible with all major cameras (SONY, RED, PANASONIC, DJI, ARRI, BLACKMAGIC, FUJIFILM, NIKON, CANON and more).

INSTALLATION:

Adobe Premiere
Please make sure Adobe Premiere is not running before installing LUTs. 

—  On Mac OS X:

/Library/Application Support/Adobe/Common/LUTs/Creative 
/Library/Application Support/Adobe/Common/LUTs/Technical

—  On Windows:

C:\Program Files\Adobe\Common\LUTs\Creative 
C:\Program Files\Adobe\Common\LUTs\Technical

Apple FCPX:
Please make sure Apple FCPX is not running before installing LUTs directly into LUT directories.

DELUTS LUTS like DELUTS FILMTONE 3 and required Camera lut packs like 'SONY DELUTS FILMTONE 3 LUT PACK' etc are placed in:
your user<home>/Library/Application Support/ProApps/Custom LUTs folder.

CAMERA TRANSFORMS are placed in:
your user<home>/Library/Application Support/ProApps/Camera LUTs folder.

DaVinci Resolve:

Copy the necessary folders to the DaVinci Resolve LUT folder. Refresh the LUT directory if running.

—  On Mac OS X:
Library/Application Support/Blackmagic Design/DaVinci Resolve/LUT/ 
—  On Windows:
C:\ProgramData\Blackmagic Design\DaVinci Resolve\Support\LUT 
—  On Linux:
/home/resolve/LUT

-DELUTS FILMTONE

BLACK AND WHITE FILMS

FILMTONE COLOUR FILMS

-NODE LUTS EXTRAS
ADDITIONAL COLOUR EFFECTS

1/ SONY DELUTS FILMTONE 3 LUT PACK. ZIP    

2/ PANASONIC DELUTS FILMTONE 3 LUT PACK. ZIP    

3/ OVERLUT DELUTS FILMTONE 3 LUT PACK. ZIP    

4/ NIKON DELUTS FILMTONE 3 LUT PACK. ZIP    

5/ FUJIFILM DELUTS FILMTONE 3 LUT PACK. ZIP    

6/ DJI DELUTS FILMTONE 3 LUT PACK. ZIP    

7/ CANON DELUTS FILMTONE 3 LUT PACK. ZIP    

8/ BLACKMAGIC DELUTS FILMTONE 3 LUT PACK. ZIP    

9/ ARRI DELUTS FILMTONE 3 LUT PACK. ZIP    

10/ APPLE DELUTS FILMTONE 3 LUT PACK. ZIP    

11/ RED DELUTS FILMTONE 3 LUT PACK. ZIP    

12/ CANON DELUTS FILMTONE 3 LUT PACK. ZIP

Davinci Resolve:-

DAVINCI RESOLVE, DELUTS LUTS with Camera Transform

Adobe Premiere:-

Adobe Premiere Lumetri Color Panel.

Adobe Premiere Adjustment Layer use for main Lumetri Color Panel and LUT loading.

I prefer resetting all my clips to default, removing any auto color or camera looks. Next, I apply an Adjustment Layer to all rushes as V2, adding both the Input LUT and Creative LUT. I then fine-tune the exposure, white balance, and tint on each clip using the basic Lumetri settings. This practice optimizes system memory, as it avoids loading Input and Creative LUTs on every individual clip.

Loading the Camera Transform into the Input LUT.

Navigate to the /DELUTS LUTS/CAMERA TRANSFORMS/ and select the LUT that matches your camera.

Load the Creative LUT by navigating to DELUTS LUTS/ and then one of the LUT packs.

If using PRORES RAW select S-Gamut3.Cine/S-Log3 option.

Adding Custom LUT to the clip

Adding a Custom LUT

You won't need a camera transform (Camera LUT) if you are using one of the sets marked for that camera and profile. Use the Camera LUT when using other DELUT sets. Apply the Camera LUT in the Inspector Panel.

Inspector Panel. 

FILM STOCKS: (FILMTONE 3)
AG APX 100 LIMA 01.cube
AG APX 100 LIMA 02.cube
AG APX 100 LIMA 03.cube
CS50 PACIFIC 01.cube
CS50 PACIFIC 02.cube
CS50 PACIFIC 03.cube
CS50 PACIFIC 04.cube
CS400 CANNES 01.cube
CS400 CORSICA 01.cube
CS400 CORSICA 02.cube
CS400 CORSICA 03.cube
CS400 CORSICA 04.cube
CS400 CORSICA 05.cube
CS400 MAYFAIR 01.cube
CS400 MAYFAIR 02.cube
CS400 MAYFAIR 03.cube
CS400 MAYFAIR 06.cube
FF ASTIA SOFT KYOTO 01.cube
FF ASTIA SOFT KYOTO 02.cube
FF CLASSIC NEG OKINAWA 02.cube
FF CLASSIC NEG OKINAWA 03.cube
FF CLASSIC NEG OKINAWA 05.cube
FF CLASSIC NEG OKINAWA 06.cube
FF NEOPAN ARCOS MADRID 01.cube
FF NEOPAN ARCOS MADRID 02.cube
FF NOSTALGIC NARA 01.cube
FF NOSTALGIC NARA 02.cube
IL DELTA 100 HAVANA 01.cube
IL DELTA 100 HAVANA 02.cube
IL DELTA 3200 QUITO 01.cube
IL DELTA XIAN 01.cube
IL DELTA XIAN 02.cube
IL HARD DAKAR 01.cube
IL HP5 ANDES 01.cube
IL HP5 ANDES 02.cube
IL HP5 ANDES 03.cube
IL HP5 ANDES 04.cube
IL HP5 PLUS ARCTIC 01.cube
IL MEDIUM OSLO 01.cube
IL SFX 200 CAIRO 01.cube
IL SOFT MACHU 01.cube
IL XP2 KYOTO 01.cube
IL XP2 KYOTO 02.cube
KD 2383 PALERMO 01.cube
KD 2383 PALERMO 02.cube
KD 2383 PALERMO 03.cube
KD 2383 PALERMO 04.cube
KD 5207 PAVIA 01.cube
KD AURORA 01.cube
KD AURORA 02.cube
KD AURORA 03.cube
KD AURORA 04.cube
KD AURORA 05.cube
KD AVALON 01.cube
KD AVALON 02.cube
KD AVALON 03.cube
KD AVALON 04.cube
KD BELLEVILLE 01.cube
KD BW400CN CASPIAN 01.cube
KD BW400CN CROTONE 01.cube
KD CROSS OKINAWA 01.cube
KD CROSS OKINAWA 02.cube
KD CROSS OKINAWA 03.cube
KD E100 EKTACHROME OSAKA 01.cube
KD E100 EKTACHROME OSAKA 02.cube
KD EKTACHROME COMO 01.cube
KD EKTACHROME COMO 02.cube
KD FERRARA 01.cube
KD FERRARA 02.cube
KD GOLD AREZZO 01.cube
KD GOLD AREZZO 02.cube
KD HEKLA 01.cube
KD HUSAVIK 01.cube
KD JUNIPER 01.cube
KD JUNIPER 02.cube
KD JUNIPER 03.cube
KD JUNIPER 04.cube
KD JUNIPER 05.cube
KD MONACO 01.cube
KD MONACO 02.cube
KD MONACO 03.cube
KD MONACO 04.cube
KD MONACO 05.cube
KD MONACO 06.cube
KD MONACO 07.cube
KD MONACO 08.cube
KD NAPOLI 01.cube
KD ODEON 01.cube
KD PISA 01.cube
KD PISA 02.cube
KD PISA 03.cube
KD PISA 04.cube
KD PORTRA TOSCANA 01.cube
KD PORTRA VERONA 01.cube
KD PORTRA VERONA 02.cube
KD PORTRA VERONA 03.cube
KD SALERNO 01.cube
KD SALERNO 02.cube
KD SALERNO 03.cube
KD SALERNO 04.cube
KD SALERNO 05.cube
KD SHINJUKU 01.cube
KD SIENA 01.cube
KD SIENA 02.cube
KD SIENA 03.cube
KD TMAX 400 VIENNA 01.cube
KD TMAX 400 VIENNA 02.cube
KD TMAX P3200 BERLIN 01.cube
KD VERMONT 01.cube
KD VERMONT 02.cube
KDVIS3 BOLOGNA 01.cube
KDVIS3 ECN2 LOMBARD 01.cube
KDVIS3 ECN2 LOMBARD 02.cube
KDVIS3 LOUVRES 01.cube
KDVIS3 LOUVRES 02.cube
KDVIS3 LOUVRES 03.cube
KDVIS3 MODENA 01.cube
RED ELDHRAUN 01.cube
RED ELDHRAUN 02.cube
RL SUPERPAN OSAKA 01.cube

DELUTS SETS FROM 2015-2018

DELUTS SET 1, SET 2, SET 3 and SET 4.

Handy for archived projects.

SET 1,2,3

Norwich.cube Cuckfield.cube Lancaster.cube Leeds.cube Leicester.cube Lichfield.cube Lincoln.cube Liverpool.cube Manchester.cube Newcastle.cube Nottingham.cube Oxford.cube Peterborough.cube Plymouth.cube Portsmouth.cube Preston.cube Ripon.cube Salford.cube Salisbury.cube Sheffield.cube Southampton.cube Sunderland.cube Wakefield.cube Winchester.cube Wolverhampton.cube Worcester.cube York.cube

SET 4
acton.cube barking.cube barnes.cube barnet.cube battersea.cube beckenham.cube beddington.cube bermondsey.cube bexley.cube brent.cube brentford.cube bromley.cube camberwell.cube camden.cube carshalton.cube cheam.cube chelsea.cube chigwell.cube chingford.cube chislehurst.cube coombe.cube coulsdon.cube crayford.cube croydon.cube deptford.cube ealing.cube edmonton.cube enfield.cube erith.cube feltham.cube finchley.cube finsbury.cube fulham.cube goldersgreen.cube greenwich.cube hackney.cube hammersmith.cube hampstead.cube haringey.cube harrow.cube harry_bw.cube harry.cube havering.cube heston.cube hillingdon.cube holborn.cube hornchurch.cube hornsey.cube hounslow.cube ilford.cube islington.cube kensington.cube lambeth.cube lewisham.cube malden.cube merton.cube mitcham.cube nealsyard.cube newham.cube orpington.cube paddington.cube poplar.cube purley.cube redbridge.cube romford.cube ruislip.cube savoystreet.cube shoreditch.cube sidcup.cube somersethouse.cube southall.cube southgate.cube southwark.cube stepney.cube surbiton.cube surreystreet.cube sutton.cube temple.cube tottenham.cube uxbridge.cube waltham.cube walthamstow.cube wandsworth.cube wanstead.cube wembley.cube willesden.cube wimbledon.cube winchmorehill.cube woodford.cube woodgreen.cube woolwich.cube yiewsley.cube

Trilinear vs. Tetrahedral

I would always switch colour setting to Tetrahedral Interpolation.

Adobe Premiere:-

File/Project Settings/ Colour

DaVinci Resolve:-
Project Settings/ Color Managment/ Lookup Tables

Apple FCPX:-

Apple does not mention interpolation algorithms but at they optimize for performance and quality on Apple hardware and side by side match Tetrahedral based interpolation.

In color grading and video processing, the terms "Trilinear" and "Tetrahedral" refer to different types of interpolation methods used within a 3D lookup table (LUT). A 3D LUT is a three-dimensional grid that contains data for color correction and is used to map one color space to another. It operates on the principle that any color can be located within a three-dimensional space, defined by its red, green, and blue components.

Trilinear Interpolation: This method uses linear interpolation along the three axes within the 3D LUT. When moving from one point to another in the 3D space, trilinear interpolation considers the eight closest points on the LUT grid. It then linearly interpolates between these points to determine the output value. Trilinear interpolation is generally faster because it is less computationally intensive, but can sometimes produce gradients that are not as smooth, potentially leading to banding.

Tetrahedral Interpolation: This method divides the cube within the 3D LUT into six tetrahedra (a type of pyramid with a triangular base). When calculating a color transformation, tetrahedral interpolation only considers the four points of the tetrahedron within which the color falls. This method often results in smoother gradients and fewer interpolation artifacts, like banding, compared to trilinear interpolation. However, it is more computationally intensive and may require GPU acceleration to perform efficiently.

Banding can occur when the interpolation method is not able to produce a smooth gradient between colors. This can happen with trilinear interpolation because it can result in less precise color mapping compared to tetrahedral interpolation, especially when working with subtle gradients and a limited color depth. Tetrahedral interpolation, by using a more complex but more accurate method, is typically better at creating smooth transitions without visible banding.

 

Requests:

If you need need a Gamma/Gamut variant that is not listed please contact me.

Notes: LUT name lengths have been shortened to aid selction. LUTs linked into DCTL files have not, to maintain links.

Brand names of manufacturers are mentioned solely for reference purposes. We hold no affiliation, association, or any official connection with Eastman Kodak, CINESTILL, FUJIFILM Corporation, or Ilford Photo Harman Technology Ltd. All logos and images are registered trademarks of their respective owners.

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